#Indie screenplays wanted professional#
When did you first realize you wanted to be a writer? How long were you a part-time writer before you became a full-time one? Do you hear from your readers much? What kinds of things do they say?ĬJ Walley (CJW): Writing was something that I came to accept much later in life because it was a somewhat absurd concept that I could be a professional writer. The Official Trailer for BREAK EVEN written by CJ Walley
Once I knew that writing went far beyond simply expressing my “cool” stories for kicks because I suddenly had a deeper purpose and something rare to offer. It’s like being blessed with the ability to help others dream. The person who told me about this was an avid book reader and made me realize just how important writing can be to pass those fantasies some of us take for granted onto those who cannot muster. I live in my imagination and find a lot of wonderment within it. Indieactivity: What was an early experience where you learned that language had power?ĬJ Walley (CJW): Perhaps not too early an experience but certainly a profound one, I discovered from someone very close to me that some people don’t have a visual imagination, they don’t think in that way.
Something CJ is very proud of is breaking into the Los Angeles filmmaking scene from rural England, especially as someone who decided to chase his dream relatively late in life. He is known for writing pulpy female-led thrillers that contain a lot of action and comedy and being part of a team that makes films that punch way above their weight in terms of production value. As a huge fan of American New Wave films of the 70’s, and a child of the Independent Cinema Movement of the ’90s, CJ’s love lies in indie film, particularly cult films.
#Indie screenplays wanted free#
WE LOVE NOTHING MORE THAN HELPING THE WRITER BRING THEIR STORIES TO LIFE.CJ Walley is a working credited screenwriter with two feature films to his name who founded the free script hosting platform Script Revolution. TERRI WILL PERSONALLY REVIEW EACH COVERAGE REPORT. SCREENPLAY COVERAGE IS THE PROCESS OF PROVIDING PROFESSIONAL AND CONSTRUCTIVE ANALYSIS OF A SCREENPLAY TO HELP THE WRITER ELEVATE THEIR SCRIPT.Ī FILM WRITER VALUES THE WORK OF THE WRITER AND NOW YOU CAN GET FEEDBACK FROM MORE THAN ONE READER.
WE PROVIDE PERSONAL SERVICE, TELEPHONE CONSULTATION, AND COLLABORATION WITH THE WRITER THROUGHOUT THE CREATIVE PROCESS. WE PRIDE OURSELVES IN HAVING A REPUTATION FOR PROVIDING CONSTRUCTIVE COVERAGE FOR THE WRITER OF ALL LEVELS AT AFFORDABLE PRICES. IN ADDITION, WE PROVIDE BOOK COVERAGE FOR THE NOVEL WRITER WHO WANTS TO TURN THEIR BOOK INTO A SCREENPLAY AND STAGE PLAY COVERAGE. OUR TEAM ALSO PROVIDES COVERAGE FOR STUDIOS AND PRODUCTION COMPANIES. TERRI HAS TRAINED AND MENTORED A TEAM OF READERS TO HELP PROVIDE THE WRITER WITH CONSTRUCTIVE SCRIPT NOTES FOR DEVELOPMENT. OUR TRAINED SCREENPLAY READERS ARE PERSONALLY SELECTED BY STORY CONSULTANT AND PRODUCER TERRI ZINNER TO PROVIDE TOP QUALITY SCRIPT COVERAGE. TURNAROUND FOR NOTES IS NORMALLY ONE WEEK. WE PROVIDE BASIC COVERAGE, BEGINNING AT $79 & $99 FOR TERRI.ĬONSULTATION IS ALSO ALWAYS AVAILABLE TO THE WRITER. WE PROVIDE NOTES ON THE STRENGTHS AND WEAKNESSES OF YOUR SCREENPLAY.ĬONSTRUCTIVE DEVELOPMENT NOTES INCLUDES FEEDBACK ON PLOT, STRUCTURE, TENSION, CHARACTER, DIALOGUE, AND MORE. SCREENPLAY COVERAGE IS THE PROCESS OF PROVIDING CONSTRUCTIVE FEEDBACK ON YOUR SCREENPLAY TO HELP YOU DEVELOP A STRONGER SCRIPT. TERRI & HER TRAINED READERS PROVIDE A RANGE OF SCREENPLAY COVERAGE & SCRIPT DEVELOPMENT SERVICES AT AFFORDABLE RATES. SHE WORKS WITH VARIOUS PRODUCERS AND PRODUCTION COMPANIES SUCH AS SANDALPHON ENTERTAINMENT, EVW ENTERTAINMENT, BELLIPOMA ENTERTAINMENT, AND WILDERNESS FILMS, AND MORE. TERRI HAS PROVIDED DEVELOPMENT NOTES ON SUCH FILMS AS AMERICAN SNIPER, ALBERT NOBBS, KILL YOUR DARLINGS, BREAKING THE STAGE, WHAT MAISIE KNEW, BED AND BREAKFAST, LOUDER THAN WORDS, THE BRASS TEAPOT, MONSTER PARTY, A WORTHY MAN, AND MORE. AN AWARD-WINNING INDEPENDENT FILM PRODUCER, AND PROFESSIONAL SCRIPT CONSULTANT.
0 kommentar(er)
